Harriet Pattison, the Korman project’s landscape architect, collaborated closely with Kahn during the last decade of his life. Her influence is most evident in the Kimbell Art Museum in Fort Worth, Texas, which opened in 1972. “Like most of [Kahn’s] landscape work and site-planning work in the ‘60s and ‘70s,” write Kahn scholars David Brownlee and David De Long, “this carefully articulated procession through a landscape was created in consultation with Harriet Pattison, who delighted in making calculated juxtapositions of environmental effects.”1